Raag Tilang Bahar
Swar Notations
Swaras | Rishabh Varjya in Aaroh. Both Gandhars and Nishads. Rest all Shuddha Swaras. |
Jati | Shadhav Sampurna Vakra |
Thaat | Khamaj (when Tilang is dominant) or Kafi (when Bahar is dominant) |
Vadi/Samvadi | Gandhar/Nishad (when Tilang is dominant) or Madhyam/Shadj (when Bahar is dominant) |
Time | 2nd Prahar of the Night : Ratri ka Dwitiya Prahar |
Vishranti Sthan | S m P - S' P m G |
Mukhya-Ang | m P m g ; m ; n P m ; P N S' ; g m P m g m R S |
Aaroh-Avroh | S R S m ; G m P n P ; m D N S' - S' n P m g m R S |
Raag Description: This Raag is a fine blend of the two melodies namely Raag Tilang and Raag Bahaar. Both Raags in part provide sweet tonal embellishment to the overall mood of this raga. The following combinations could be considered as the soul of this Raag:
G m ; G m P m ; G m R S ; m D N S' ; DN S' R' S' ; S' ,n P m G ; mP m ; DN S' nP G m R S ;