Raag Tilang Bahar

Swar Notations

Swaras Rishabh Varjya in Aaroh. Both Gandhars and Nishads. Rest all Shuddha Swaras.
Jati Shadhav Sampurna Vakra
Thaat Khamaj (when Tilang is dominant) or Kafi (when Bahar is dominant)
Vadi/Samvadi Gandhar/Nishad (when Tilang is dominant) or Madhyam/Shadj (when Bahar is dominant)
Time 2nd Prahar of the Night : Ratri ka Dwitiya Prahar
Vishranti Sthan S m P - S' P m G
Mukhya-Ang m P m g ; m ; n P m ; P N S' ; g m P m g m R S
Aaroh-Avroh S R S m ; G m P n P ; m D N S' - S' n P m g m R S

Raag Description: This Raag is a fine blend of the two melodies namely Raag Tilang and Raag Bahaar. Both Raags in part provide sweet tonal embellishment to the overall mood of this raga. The following combinations could be considered as the soul of this Raag:

G m ; G m P m ; G m R S ; m D N S' ; DN S' R' S' ; S' ,n P m G ; mP m ; DN S' nP G m R S ;