| Swar | Nishad Varjya in Aaroh. Nishad Komal in Avroh. Rest all Shuddha Swaras. |
| Jati | Shadhav - Sampurna Vakra |
| Thaat | Khamaj |
| Vadi - Samvadi | Gandhar - Nishad |
| Time | 2nd Prahar of the Night (9PM to 12AM) |
| Vishranti Sthan | S; P; D; - S'; P; G; |
| Mukhya Ang | ,D S R m G ; R G S R ,n ,D ,P ,D S ; ,P ,D S R G m G ; m G R S ; R ,n ,D S ; |
| Aaroh - Avroh | S R m P D S'; - S' n D P m G R G S; |
Raag Jhinjhoti is a light and playful Raag, apt for instrumental music. In this Raag mostly light mood bandishen are rendered. In Aaroh, Gandhar is used only like – ,P ,D S R G m G ; and not otherwise. But in Avroh, Gandhar is a resting note like – S’ P D m G ; R P m G ; m G ; m G R S ,n ,D ,P ,D S;.
This Raag is mostly expanded in Madhya and Mandra Octaves. The nearest Raag is Khambavati. Illustrative combinations include:
,P ,D S R m G ; m G S R ,n ,D ; ,P ,D S ; R m P D n D ; P D m G ; R G S R ,n ,D ; S ; R m P D n D ; P D S’ ; S R’ n D P ; D P m G ; m G R G S ;
Raag Jhinjhoti Bandishen
All the following bandishen are written and composed by Acharya Vishwanath Rao Ringe ‘Tanarang’. All these bandishen are sung by Shri Prakash Vishwanath Ringe. For more information, please contact us.
1 | Bada Khyal - More Man Gopal Lal Biraje Taal - Ektal Vilambit Theme - Shri Krishna - Bhakti Ras | |
2 | Sadra - Man Na Laage Ri Piyarwa Bina Tanik Mora Taal - Jhaptal Vilambit Theme - Viras Ras | |
3 | Chota Khyal - Eri Sakhi Kachu Ban Nahi Aawe Taal - Ektal Drut Theme - Shri Krishna - Gopiyon se Chedchad | |
4 | Chota Khyal - Nazar Nahi Aawe Kouna Aawe Taal - Trital Drut Theme - Jeevan Darshan |